October 2006 Archives

it's up to your knees out there

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Soon I’m off to Chicago for the Dialogue Under Occupation conference. How exciting! But what’s scaring me the most is that it’s 3°C there right now. Ouch. Anyway, here’s the abstract of what I’ll be presenting:
 

‘The Earth is Closing in On Us’: models of everyday and extraordinary political worlds in weblogs from Palestine and Iraq

We went to sleep to the rattling of our windows and invasive pounding and after-echo of the shells. We sleep as they fall. We pray fajir, and they fall again. We wake, and they are still falling. When they are closer, when they fall in Shija’iya east of Gaza City, they make my stomach drop. And I want to hide, but I don’t know where.

The Earth is Closing in on Us.

So writes Laila El-Haddad, a prominent Palestinian blogger living in Gaza. In this paper, I explore how weblogs’ intimate and often mundane inscriptions of everyday life can contribute to a mobile and transgressively “invocationary” kind of political discourse, especially when placed in the context of occupied, contested or traumatic territories. Its registers invoke everything from geopolitical commentary to the interstitially micropolitical experiences of occupation and contestation — plus the unlikely disjunctures that can interrupt both. In Baghdad, young girl publishes a constant stream of photographs of cute kittens, occasionally interspersed with reports of bombs exploding down the road. Another Iraqi blogger deals with annoying electricity problems and the terror of raids on her house by the US military. Back in Gaza, Laila El-Haddad’s blog revolves around the experience of raising her young son Yousuf, documenting how the Israel’s occupation and continuing military incursions into Gaza seep into the most intimate or seemingly trivial aspects of life, from changing nappies to buying bread and spices, or getting her son to sleep.

In this lived/media context, the divisions between macropolitics and that which has been relegated to the domestic sphere begin to totter and decompose, suggesting a traumatic political subjectivity that is topologically uncertain, in an ambivalently productive way. The blogging of “geopolitical trauma” can also be read as fundamentally concerned with space, from bloggers’ routine descriptions of endless checkpoints and blockages, to their frequent allegorical modelling of “the world” as a figure that is revealed in moments of crisis — a figure with which an ethico-political relationship is demanded by circumstances. This paper explores, then, the ways in which this ethical relationship unfolds under occupation, and what possibilities it provides.

 

I’ll let you know you how it goes. My brother was born in Chicago, but I’ve never been, so it’ll be interesting to engage with that familial, prosthetic memory. My brother’s a freak — he started speaking in sentences when he was 12 months old. And apparently he used to greet the janitor at their apartment block with “hi, man”. Incidentally: you know, it’s good having people in your family that just get where you’re coming from. For example, for my birthday this month, my brother got me Fredric Jameson’s Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions.

hot boyfriends

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Boyfriends

Don’t cha wish your boyfriend was hot like me
Don’t cha wish your boyfriend was a freak like me
Don’t cha, don’t cha

This is a couple of weeks overdue: the best pop vocal performance I’ve seen this year was these guys, Ben and Jonny, doing a version of the Pussycat Dolls’ “Don’t Cha” at the TAG event in Parramatta. I don’t think I’ve ever seen such a fun, carefree expression of male sensuality on stage. Sure, the chorus for “Don’t Cha” was originally lifted from Sir Mix-A-Lot’s “Swass”, which went “Don’t cha wish your boyfriend was swass like me?”, but really, when a couple of guys do a take on a recent hit that goes, “Don’t cha wish your girlfriend was hot like me?” and keep the “hot”, it’s daring and…hott. It totally eclipsed anything you’d find on Idol lately.

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three way street

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I’ve actually been blogging lately — not here, but at Three Way Street, “a group blog that explores how people remember, engage with and remake their environments in creative, everyday ways.”

3Way

It’s an off-the-cuff collaboration with some of the folks from the Community Museum Project whom I met in Hong Kong, plus some others you might know, like Jean from creativity/machine. It’s mainly a vehicle for to sharing observations amongst ourselves, towards the possibility of organising some kind of event/exhibition dealing with the aesthetico-political aspects of everyday life “environmental” creativity — from material visual cultures of the city to online spaces, etc.

While it’s a low key experiment, I do want to avoid Three Way Street being just a dump for our own random online link-trawling. We need your help: if you’re wandering the city, the countryside or cyberspace and come across something cool that people are doing — adapting existing infrastructures and technologies to weird ends, making great street art, disrupting capitalist urbanism, embedding protest into the rhythms of their everyday social performances, whatever — please let me know. Photos are extra cool!

Of course, if you’re actually working on a project that’s connected to the politics of everyday creativity, that’s way cool too. Howard, King, Pak-Chai and Phoebe from the Community Museum Project will hopefully be reworking some of their material from their book-in-progress about people’s matter-of-fact (re)designs of the tools they use. Lena and I will be contributing stuff about our Tracer projects — particularly the digital oral-historical mapping project we began in Hong Kong — and then there’s everything that’s been happening at ICE, like the TAG project.

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This doesn’t mean I’ve packed it in here, by any means, although I don’t think I have much to say at the moment. Jon has asked for my take on the latest developments in Battlestar Galactica, but to be honest, I don’t have much to add beyond the stuff that’s already out there.

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