August 2006 Archives

just a shot away

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I’ve always been a bit sceptical about my own relationship to Arabness as a vicarious “proxy ethnicity” — I’ve recently written long, soul-searching emails to various friends about this issue, and it’s always been funny when H introduces me to people as “my cousin,” to various double-takes. But I really am her cousin, and she’s mine — this is very important to me. And I’ve said this before, but it bears repeating: in these times, being far away from our friends and family from Sydney’s Lebanese communities has been really distressing. I miss being a part of this palpable web of solidarity.

What relationship do these intimate solidarities have to more programmatic kinds of solidarity — the kinds you find expressed in political pronouncements? My ambivalent position of feeling both inside and outside a community presents me with my own small opportunity to unpack some possibilities: for a start, it’d be a terrible mistake to simply map the surface of deeply felt affiliations and practices of care (i.e. the apparent operations of “being part of a Lebanese community”, whether by birth or association) onto a supposedly “organic”, unitary representation of “the Lebanese community” on one level, and Lebanon’s national interests and its authoritative representation by particular groups on another. (Networks of care impode into niche-market structural narcissism, which in turn implodes into reactive nationalism.) This would be as ludicrous as reifying the complex way “family” has been important to me in this current crisis as an enthusiasm for “the family” and patriarchy.

Both of these reifying slippages are celebrated by totalising revivals of “anti-imperialism” as national(ist) resistance — the former in an explicit fashion, and the latter as both allegory and as the actual, patriarchal Law of the Politburos-in-waiting of various political cults. But those same slippages can just as easily happen in reverse when one opposes national interests and “the family” — it’s always easy to slide over the multiplicitous cultural practices that might be reified as those “things” when those “things” are of dubious value. And of course, it’s possible to mix it all up, as the ulimate in hypocrisy: before their current, international pandering to certain religious leaderships, Cliffites and other Leninoids were voting against allowing Muslim women to speak at anti-war rallies in Sydney, and branding brown people who spoke the word “Allah” in public as “fundamentalist hijackers”. The orientation changes, but the style of totalisation remains the same.

Cache

Meanwhile, the moralism of those with a vicarious investment in Third World nationalism reminds me of Michael Haneke’s film Caché, which I saw the other night. It’s quite riveting, and insistently attempts to puncture the comfortable world of bourgeois liberalism by rubbing its face in the gutter of France’s postcolonial abbatoir — a white literati family are “terrorised” by Lost Highway-style tapes of stalkery video surveillance that herald a repressed narrative related to the Algerian War of Independence. But after a while I realised that Caché is actually an appalling film, because by assuming a shared bourgeois liberalism with which one can empathise, and investing in a vicarious fantasy of “gritty reality”, it reinforces the very things it purportedly critiques. In fact, it actually unconsciously replays some of the most appalling Zionist apologetics, in which Arabs are only capable of “terrorising us with our guilt and their own victimhood”. This is what happens when you overinvest in reactive moralism as an anti-imperialist strategy: you continue to instrumentalise the big Other.

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disaster takes care of everything

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Our Hong Kong comrades certainly don’t fuck around — after Lena showed “From Beirut… to those who love us” at her recent talk, Terry from the 8A Social Movement Resource Centre and Videopower immediately went and subtitled it in Chinese. Awesome.

Oh: Beirut DC, makers of “From Beirut…”, also have a new video available for download: Dead Time. It quotes Maurice Blanchot — rock.

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heavy

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Everything’s still a blur. We’re staying in Hong Kong for another three weeks to tie up some loose ends and hopefully unwind a bit. This means that we’ve just moved house for the fourth time in just over three months. But you’re travellers, you say, so how hard could it be, right? But we’re not really travelling — we actually tried to settle here for a few months to do quite a few different things: create a really ambitious new media art project that incorporates oral history interviews with local people; forge links with local arts and activist organisations; as well as working on my thesis, finishing a large web development job…

To give you an idea of how heavy our shit is, this is what we frequently carry with us on our jaunts around town: two laptops, a digital still camera, a 3 CCD digital video camera, a MiniDisc recorder and microphone, an A4 flatbed scanner (!), assorted power and data cabling, etc.

And in terms of the stuff we’ve been collecting on the way: no, we’re not doing heaps of shopping for clothes and electronic equipment. (Each time we move out of a place, the number of our bags raises eyebrows.) Instead, we’re going to be mostly taking paper back with us, and that’s after we ship the bulk of it back by sea. The smallest organisations here publish prolifically. Last night, for instance, Becky took us to the first Hong Kong Sex Workers’ Film Festival. It was a just bunch of people in a small room of a sex workers’ advocacy NGO, and nonetheless excellent, but the accompanying catalogue was more than a hundred pages long — slick, perfect-bound and with a matt-celloglazed cover. Of course, this is intimately related to the fact that printing in China is terrifyingly cheap, but it’s impressive nonetheless.

breakout

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After having a bit of cry looking at Beirut Letters (thanks Ange), Lena and I have gone all Bay Area on your asses — we’re sitting in Starbucks with our PowerBooks open, writing collaboratively in real time with SubEthaEdit about new media, social power and Walter Benjamin.

On the iPod: Swing Out Sister’s “Breakout”.

Sister

One day I’ll have the time to work through the relationship between British soul-pop of the 1980s and an oblique articulation of “progressive”, “socialist” politics that, in a pop-cultural guise at least (and despite its tendency towards craven Labourism), still somehow appeals to me. Red Wedge, “Shout to the Top” and all that. (Again with the craven Labourism. But somehow I can overlook it.) Swing Out Sister were never identifiably political in any way that I recall, but their generic affiliations still suggest those kinds of alignments to me.

The standard analysis of Britpop, with its emphasis on the “new sunniness” in British music of the 1990s as somehow heralding the joy of… Tony Blair… seems to really erase the shininess and implicitly more radical politics of British pop of the previous decade. ’80s British soul-pop interestingly wavered between “mod nostalgia” and “modernist progression”. There was always a kind of strained element to it — were we supposed to love or hate groups like the Fine Young Cannibals? — but it was also more cross-cultural and sexually ambivalent than what followed. When Paul Weller was rehabilitated in the ’90s as a gruff dad-rock icon, did everyone suddenly forget that he’d spent the previous decade sipping cappuccinos and being a foppish soul-boy? Were his affiliations too black and too “gay” to bear thinking about? Whatever happened to us, Paul Weller? I have fantasies that his solo career never happened, and that instead he became the singer for a cover-band that did classy, soul revue versions of songs like the Spice Girls’ “Stop”. Really. Can you imagine? Mmmm…

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close to "home", so far away

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Strange to be here now, in a place where in the past few months (at least before the bombing started) hardly anyone even knew where Lebanon was. One uncle still unaccounted for. Cousin S actually saw bombs drop from IDF planes. Fuck. She was sitting on a hill, and suddenly these Israeli aircraft fly overhead and begin their bombardment.

Is it crazy that the first thing I thought of was that scene in Doctor Who’s “Aliens of London”? Rose is sitting on top of her council flat tower, complaining to the Doctor about having seen all this stuff that nobody back home would believe, when all of a sudden a huge fucking alien ship flies overhead and crashes into Big Ben. The incomprehensible happens, in the “right here” of London (the nexus of Anglocentrism) in Doctor Who’s case, or that of non-Anglo social and familial networks, in this particular case. Except it’s not exactly “incomprehensible” — A and H lived through the bombing of Beirut in the ’80s, and I’d hate to think what kind of memories they’re reliving now. Everyday terror. But I guess that might always be incomprehensible, on another level. I hope Uncle S is okay.

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