September 2005 Archives

new spaces, fast and furious

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Oh, speaking of space, place and refugee subjectivity, I forgot to post that Phase 2 of the Parramappa project — a “refugee psychogeography” mapping project I devised with mainly Afghan young people — went online last month. We just wandered around for an afternoon and took more photos and wrote little stories about the local area. My biggest disappointment was not having time to visit the car yards on Parramatta Rd, because Seher, one of the young Afghan girls involved in the project, was obsessed with Holden Monaros. Thankfully, we were able to instead indulge her lust for Bollywood stars, and thus the interactive map is marked significantly with a kind of cross-cultural, regional-diasporic, pop-inflected affect. (I actually gauge the success of projects like these on such “trivial asides”.) Interestingly, Seher is one of several Afghan girls I know who are obsessed with cars. Mz_blu_eyez, one of the Storybox people, saw Angelina Jolie in Gone in Sixty Seconds as her role model — she even looked uncannily like Angelina. When she wasn’t writing abusive comments on neocon Islamophobe Daniel Pipes’ website, all she would talk about was Ferraris. (And of course, whenever I supervise our after-school new media drop-in space, the kids are guaranteed to be doing their driver knowledge tests online.)

UPDATE: I’ve just realised that this is blog entry #411. Informatica! (And better than a blog birthday!)

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helo

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helo

Found randomly in a google for “Agathon” — talking about Heidegger’s take on Plato’s Republic, and the part that the sun plays in the allegory of the cave:

The sun represents the agathon idea — or what has most commonly been translated as ‘the form of the good’. Heidegger claims that this is a misleading translation since agathon (the good) did not mean moral value to the Greeks, but rather, that which made something else possible.

And here:

The Greeks, he says, thought of the Good in essentially utilitarian terms, i.e., as something useful or efficacious — “tauglich.” Agathon is therefore that “which is useful to something and which makes something useful.”

Agathon is not “virtuous”, but effective. Hmmm. Then there’s this unintelligible bit by our friend Jean-Luc Nancy, in The Sense of the World, about the offering of sense… beyond essence:

The excellence of the agathon is without content: it concerns merely the position beyond essence, in this (non)region where it is no longer a matter of presenting being (to oneself), but of being toward being-as-act… of touching on the emergence — or being touched by the coming — of being-as-act. The agathon is neither any specific “good” nor a “good” in the sense of a “posession”. After all, its name is not attached to a semantics of “goodness”, but to a semantics of greatness (cf. mega, great, agan, much, too much), intensity, and excess. Being touched by and touching the excess of excellence.

Eh?

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star-battle of the lactating machine mothers

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(Spoilerificus.)

Was I alone in finding “Season 2a” of Battlestar Galactica mightily uneven? In trying to tie up a bunch of loose ends, it seemed to lack all the grip of last season. But damn, to see Michelle Forbes back in a televised science fiction role after her near-miss with Global Frequency was awesome. And Lucy Lawless!

An idea you don’t expect from militaristic science fiction: “Pegasus” presents the timely vision that on a ship run so much more “by the book” than the Galactica, you get more “barbaric depravity”, not less — a deeply embedded symptom of the apparatus at work. Meanwhile, more than ever, the image of “the Cylon woman” is functioning outside the basic machinations of plot, and more as a pure symbol of prototypical sociality/empathy/ethics, along the lines of the replicants in Blade Runner or the constructs in Soderberg’s Solaris (which I wrote about a while ago). This is also distressing, because this really interesting quality only becomes most concrete when you see Cylon women presented as without agency — a kind of property, shared amongst men (e.g. the Boomer, Helo and Tyrol triangle), or in positions of absolute degradation (e.g. gang raped, i.e. shared amongst men). The passive, symbolic receptacle of “our” psychic investments. {Shiver}

The fact that Boomer is pregnant also throws up a whole vortex of whacky issues: the Cylon womb as a prototyping matrix — a reproductive tank of solution — for our ideas of the social and the ethical, the pregnant machine as a play on re/productive labour, etc. Kara escpaes her reproductive fate as an inseminated human woman, so we are left to resonate with Boomer as a machine mother. Simon said to me months ago that the etymological roots of the name “Battlestar Galactica” were interesting, but this is true now more than ever — from the Greek, galakt = milk, i.e. the Milky Way. So, the maternal. (Just so you couldn’t miss the point, Greek mythology has the Milky Way born in a rupture of the divine maternal body, as the breast of Hera is bitten by the baby Herakles, spurting milk across the sky. [I’ll take it as coincidence that co-Executive Producer David Eick cut his teeth on Hercules: The Legendary Journeys, which is how he knows Lucy Lawless].) I’ll stop now, it’s dizzying.

Best throwaway moment? (Shaking hands) “Captain Taylor.” “Kara Thrace.” “Captain Taylor.” Fucking asshole.

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location: hell

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To flesh out where I’m coming from with this whole u/dys/a-topian space thing, and to assure Danny that it’s not just all abstractitude, here’s something Baghdad Girl posted last month, which started me thinking about location:

We Are Living In Hell

Hello,

It has been along time since I posted my last subject, the situation here do not help to write at all, the temperature is very high, no electricity, we have only 4 hours of electrical power in the 24 hours of the day, no security, no water, no peace and there are always explosions and bombcars, as an example, four days ago a big explosion happened near my house, it was done by abombcar, this bombcar cost people life’s, broke windows, and brought fear.

Our windows were broken and so are windows of most houses in the neighborhood but thanks to God we are all fine but who knows in the next time we may get hurt, after the explosion we cleaned the broken windows so no one get hurt from it and so did our neighbors and some of them were out side wondering what happened, we were expecting that the American soldiers will search our house and the other houses in the neighborhood, but they didn’t and that is weird because this is not the first explosion happened here, any way tings went back to normal few hours later but people died, Two of those who died were children about 10 years of age and they use to bring us fuel for our electrical generator…

Stay safe

Raghda

Raghda usually just posts pictures of cats, but will intersperse them occasionally with stuff about her surroundings in Baghdad. Neveryday life, anyone?

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non-location

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I’ve had it with this town
I never saw those shifting skies
I never saw the ground
Or the sunset rise
I want to live on an abstract plain

I need a new address
I want some new terrain
Is it north or south?
I want to live on an abstract plain

— Frank Black, “(I Want to Live On An) Abstract Plain”


Oooooh ooh I want to find a better place
Oooooh ooh I’m searching for a better place
Oooooh ooh I’m tired of living in the sand
Oooooh ooh I’m searching for a better land

Heaven, must be there
Well, it’s just got to be there
I’ve never — never seen Eden
I don’t wanna live in this place

— Eurogliders, “Heaven (Must Be There)”


The city’s a flood
And our love turns to rust
We’re beaten and blown by the wind
Trampled into dust
I’ll show you a place
High on the desert plain
Where the streets have no name

— U2, “Where The Streets Have No Name”


Just been thinking a lot about ways to approach Jameson, mapping and the utopian. Rather than just obsessively identifying representations of present or future systems — an ultimately rather nerdy enterprise — surely we need to engage with affective attempts to abolish the present, with “utopian” acts of deliberate non-specification? Because I think that’s where most of the action is — in the usefulness of the void.

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whipt first, sir, and hanged after

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A weekend at the Opera House:

Saw Measure for Measure, which I found unbelievably interesting — all sorts of whacky stuff about sovereignty and governance. Duke Vincentio of Vienna decides to go undercover to ferret out corruption high and low, placing his sanctimonious deputy Angelo in charge of the kingdom. As the Duke watches from the shadows, Angelo promptly sentences a guy to death for knocking up his fiancee, and then tries to extort sexual favours from the dude’s sister Isabella, a novice nun, in return for clemency. Cor!

I knew nothing about the play previously, but from what I can tell, director John Bell went for a “deconstructive” reading, working with the text to tease out its own aporias. The last scene is the kicker: finally revealing himself after an unnecessarily tortuous bit of drama, the Duke rights all wrongs and grants all sorts of compassionate pardons, and then proposes marriage to the wronged nun Isabella. The happy neatness of this ending, the sort which Shakespeare seems to favour in his comedies, is belied in the text by the fact that Isabella actually doesn’t get to reply before the curtain falls. And Bell played this wonderfully: when he proposes, it’s clear that the Duke’s just talking shit in some kind of power-mad dreamworld, while Isabella just stands there with a stricken look on her face. Fade to black. The audience gasped.

Also made it to Patrick’s “Beirut to Bombay Nights”, which I must say was a bit wary about, if only because if you look at these celebrations of culture in terms of ethnicity in a structural context, questions of (self-)orientalisation and exoticism inevitably rear their head, regardless of your intent. “Autonomy” can’t simply be expressed in these kinds of spaces (and in case I’m misread, hey, I really like the Opera House people involved in stuff like this, too). But when you’ve got people like Claudia there, doing her doing hilariously over-the-top performance-art dramatisations of the idiocies of “cultural authenticity”, there’s always, at least, a struggle over culture. Plus, the content was just fucking good, in terms of “general entertainment quality”, which then helps to deflect the more unwelcome kind of (fetishistic) specificities of attention and desire.

And yeah, the Lebanese trip-hoppers Soap Kills really were killer. Imagine Massive Attack if they were still actually good, and uh, sexy to begin with. Or Lamb without the toe-gazing self-possession.

yasmine.jpg

N dismissed the singer Yasmine as a “Beirut princess” (ha!), but in this context, I really preferred that the people drooling after her (you know who you are!) weren’t clueless white people into “world beatz” (yawn). I’d better stop before I get accused of proposing some dodgy hierarchy of objectification… :)

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When the London tube bombings happened in July, I panicked like many others, thinking of who I knew in London. When one is inextricably bound up in the links that occur in the web of Anglophone countries, one obviously feels these events — not just in terms of a generalised sympathy or solidarity, but in terms of the real, intimately lived relationships that one might have with certain people internationally. One looks up friends, or they check in, etc. When you live in a country that has a lingering imperial relation to Britain and membership in the advanced capitalist world of nation-states, like I do, this reaction is inescapable, whatever your critique of those relations. Because I have friends there.

But part of my own response to the incident in London also reminded me of something I witnessed in the wake of 11 September, 2001: the assumption of a “we”, and the associated assumption that only “we” have a virtual sphere of everyday concern and affiliation that turns to viscerally sympathetic panic when disaster strikes. When the World Trade Center was destroyed, I saw this played out in various online communities and in the blogosphere: the panic of looking for friends and loved ones, and of frantic checkings in, was often lubricated in its public expression by a kind of structural narcissism — a narcissism that implicitly precluded the possibility that when horrible things happen outside of the Anglophone world, say in the Middle East, people there might also undergo a similar panic, and be frantically trying to reach relatives and friends. These “other people” also live in the pores of the Anglophone world — when shit goes down in the Middle East, which is often, there is always a frantic concern played out within the large Arab diasporas in Australia, Britain, the United States, Canada, etc.

With this realisation comes the reflexive recognition that there is a Western disapora, an imagined community whose ethno-national configuration is constantly riven by crisis, but which is usually rendered invisible by its insistent perspectival self-centering.

I think this cuts much deeper than the casual observation that in public discourse in the Anglophone world, “some lives are figured as more important than others”, because I’m talking not just about the values of “propaganda” or “media discourse”, but about the intimate, affective webs of lived social relationships and their abjection/denial in the space of the everyday. Underneath the Eurocentric notion that “other countries don’t have a civil society”, there is also the subconcept that the semi-intimate zone where private meets public — in a non-institutional sense — simply doesn’t exist for “cultural others”, for whom a state of animalistic barbarity is assumed to be natural. (Of course, challenging these assumptions also means unpicking the very terms on which they’re reactively based, such as “civil society”, “private” and “public”.)

The unfolding situation in New Orleans is a chilling demonstration of the limits of the Western diaspora. It’s undoubtedly the biggest news of the English speaking world at the moment, but as has been resoundingly stated by many others, those who could not escape have been condemned to die under the sign of indifference and disavowal via the operations of race and class. The overwhelming blackness and poverty of those who suffered and died in the past week isn’t testament to just the evil and incompetence of leaders, or the values of the media, but signifies a crisis in people’s everyday ability to conceive of the very idea of the social. The population of New Orleans nominally belongs to the Western disapora, but only just, so the semi-intimate panic that could connect to those dying there inevitably falls into the void that has already been established by the loopholes in that diaspora’s very foundational enactment. These people cannot belong to “our” public. Hence the constant, horrified characterisation of New Orleans as a Third World warzone by both conservative and liberal commentators.

The inability of liberals to deal with this crisis is best demonstrated by Boing Boing’s Xeni Jardin, who is horrified by the Army’s use of the term “insurgents” to describe those now under military fire in New Orleans:

We often hear the term used by military leaders or politicians to refer to armed entities in Iraq and other war zones overseas.

We are talking about fellow American citizens here — in America.

Not insurgents. Not refugees. Not enemies. Americans.

Such a desperate, abject(ing) attempt at reinscribing various boundaries of identity — note especially the “not refugees” — really just sums it up.

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