January 2005 Archives

screen memory

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Last night in a dream, I suddenly remembered that I had been charged with looking after a small and special mouse, which was housed inside an intensive care crib in my backpack. This special mouse received all its nutrients via a teat-like drip feed. Unfortunately, I’d forgotten to refill this drip feed for several days. In fact, I’d left the mouse in my bag and forgotten about it entirely. Opening my bag, I found the mouse, which was dry and dead. Panicking, I poured water into the crib — thinking, madly, that I could somehow reconstitute it, like Tang.

Despite my feeling this week of calm distance from a world of guilty implications — that perhaps we hadn’t done enough to save my father-in-law, that somehow we’d accidentally killed him — my dream has shown me the shallowness of rhetoric. Those assurances (from others and myself) that we’d done everything in our power are hollow if there is no working through, a proper kneading of experience. Anything else simply papers over the crack and turns into a Hallmark card. Because I’ve been eerily calm all week, and if I look hard enough I’ll see that this calm has been haunted from the beginning by the memory of him collapsing in my arms, his eyes rolling back into their sockets, his limp weight affording my no leverage, slipping from me. That image has always been there, and now I have acknowledged it.

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The other day my nine-year-old nephew turned to me and asked, “Do you know how to mourn?”

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touching the omegatron

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Ned and Stacey was one of my favourite sitcoms of the 1990s. Really stupidly enjoyable stuff about misanthropy with heart, and a total guilty pleasure. Imagine my surprise last night as I watch a rerun on cable: written and produced by CHARLIE KAUFMAN!

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digital idiocy

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A couple of weeks ago I upgraded our lab of Macs to OS X 10.3.7 — a free, minor upgrade. All is fine. Today we find that Pro Tools 6.4 no longer runs on our systems, which is irritating. Okay, my bad, I should have fully investigated the consequences of such a system upgrade — we’ll upgrade to Pro Tools 6.7, which is rated to work with 10.3.7. Ah, but nooooo, the upgrade to Pro Tools 6.7 is not free. We’re not going to shell out money for just for a single point version upgrade, so I suppose we’ll have to permanently downgrade our systems because of this. I feel like I’m in a fucking cheese shop skit.

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just try acting

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Found this great post at 43 Folders on how to “hack your way out of writer’s block”. At the end is a fantastic story about Laurence Olivier, Dustin Hoffman and another layer of the Antipopper school of acting:

One day on the set of Marathon Man, Dustin Hoffman showed up looking like shit. Totally exhausted and practically delirious. Asked what the problem was, Hoffman said that at this point in the movie, his character will have been awake for 24 hours, so he wanted to make sure that he had been too. Laurence Olivier shook his head and said, “Oh, Dusty, why don’t you just try acting?”

Fucking unreal.

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shuffle-upagus

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Dan Hill enters the iPod shuffle fray with an extremely well-timed treatise on shuffle mode.

think stupid

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The mounting hysteria about Steve Jobs’ MacWorld keynote tomorrow is noted with amusement. Some speculate that Apple’s lawsuit against the ThinkSecret rumour site is just a marketing ploy — an attempt to visibly exploit the cat (news of a sub-US$500 Mac), now that it’s supposedly out of the bag. Perhaps, but I think that’s an over-reading: Apple really are compeletly insane.

Once upon a time, Apple Australia approached us to launch a product.

“What is it?” we asked.

“Um, we can’t tell you.”

“Ooookay, but how are we going to launch this product without, uh, knowing what it is?”

“Well, you’re going to have to guess.”

Riiiiight. “That’s a bit unfair.”

“No really, we don’t know what it is either. Headquarters haven’t told us.”

That’s right — Apple Australia had no firm idea about the third generation iPod (the first one with the touch-sensitive scrollwheel) until the very second it was announced by Steve in the US. Luckily, we had guessed correctly in advance, and thus possibly knew more about the product that our client. So no, I don’t think the lawsuit has very much strategic value at all — Apple really do have a pathological investment in secrecy.

stealing hearts

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Hon and I come across this fabulous store display in Osaka. Hon turns to me. “Do you want?” he whispers, gesturing at the round placard. “Yessssss,” I hiss. He promtly palms it and we make a silent (but totally unsubtle) break for it.

uncle tom

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Check out Tom’s great rant about Alexander and the limits of “gay rights” discourse:

I think I can state right-out that there is homophobia in the way this film has been received. I think that’s true. It’s only one reason that the film has failed of course — there are dozens of others — but it’s certainly one of them. And in experiencing people’s reaction to the film, I’m reminded more and more that the successes in gay rights over the last ten years or so have also ushered in an Uncle Tom-ish culture of the desexualised, non-threatening and funny little poof who is apologetically grateful for the positive reaction he can get from straight people by being entertaining. I’m increasingly angry about the way that we’ve petitioned for rights by turning everything about ourselves that could be possibly considered threatening into some kind of joke.

Sometimes the obviousness of a thing means that we forget to engage on a popular level and fucking say it.

songs about famous people

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Alexander Graham Bell
Well, he knew darned well
That he could find the only way
To talk across the USA
Telephone, telephone
Never be on your own
Many many years ago
He started something with his first “Hello, hello”
Alexander Graham Bell
Alexander Graham Bell
Alexander Graham, Alexander Graham
Alexander Graham Bell

It doesn’t get much better than this, kids. I’ve been meaning to post some novelty songs for a while, so here are two priceless ones about persons of note: The Sweet’s 1971 hit “Alexander Graham Bell” and The Beach Boys’ “Johnny Carson”, from their 1977 lofi masterpiece, The Beach Boys Love You. Creepy, no? They both have such a cheesy, hagiographic breathlessness to them. But let’s not confuse camp and irony with sarcasm; there’s true affection here — the songs really do love their subjects, and I, in turn, really do love the songs.